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#mydonnawilson: Meet Nicki, aka @siglinchen

10 April 2018

#mydonnawilson is a new interior inspiration series where we ask some of our favourite people to showcase our products in their homes. Not only does this mean we get to peek into some beautiful houses and apartments, but we also get to know a little bit about the owners – and their interior design tips.

So without any further delay, here’s this month’s homeowner, Nicki, aka @siglinchen on Instagram!

I live in Berlin with my husband and our three girls…

By day, I´m a paediatrician, working in a small surgery in Berlin. It can be quite challenging especially during wintertime, but I’m very happy with my job and I really enjoy working with children.

In my spare time I’m trying to learn more about photography. I ‘ve taken a few courses to improve my skills, but I still need a lot of practice with my new camera (Canon EOS 6D)! I like to decorate our home with colours and flowers, and I’m often inspired by my exchanges with other of interior lovers via Instagram.

#mydonnawilson, Nicki aka @siglinchen

#mydonnawilson, Nicki aka @siglinchen

Home is…

It’s really two homes! An old apartment building in Berlin, and a modern house just outside Stockholm.

Our rental apartment in Berlin is in an old building with high ceilings, stucco ornaments and creaking floorboards. Most of the interiors are inherited from our parents’ homes, and pieces we found in second-hand shops. A lot of the furniture is made from teak wood – I love the 50s – 60s feeling you get with it.

Our home in Sweden is a very modern house with big windows, straight lines and mostly interiors is modern interiors. The house is furnished in a very simple way because I’m afraid of destroying the straight feeling of the house. If I’m honest, I would prefer to have no furniture at all because I really love the pure architecture of the house – but this is not practical of course. Even though our house is tiny, it feels much bigger. The architect did a very good job and has used every single square meter very effectively. The house is surrounded by a big garden. We planted a lot of flowerbeds with mostly perennial flowers. I’m at my happiest when sitting on my knees in the flowerbeds with my hands deep in the soil.

Although right now our family are all living together in Berlin, it changes from year to year. Next year my husband will work in Sweden again, and I’ll stay on in Berlin with the kids until our oldest daughter has finished school. It might sound complicated and not that easy to juggle two homes and three children, but my family is quite used to it. We’ve been living like this since 2004 and it’s working very well for us.

#mydonnawilson, Nicki aka @siglinchen

#mydonnawilson, Nicki aka @siglinchen

My favourite room is…

Our kitchen in Berlin. It’s the room I spent most of my spare time in right now. In contrast to the open kitchen in our house in Sweden, I can close the door to the kitchen, turn the music up while preparing dinner and enjoy a couple of minutes to myself. I really enjoy this evening ritual. The kitchen is also the room where most of our family activities take place during the day. And in the evening my husband and I sit around the kitchen table drinking our evening coffee, talking about the day and doing some work. We hardly ever use our living room – except on Saturday nights when it’s movie time for the whole family.

I love gardening

I’m interested in all kind of flowers but am particularly fascinated by old-fashioned perennial flowerbeds. I grew up in the plant nursery of my grandma, so I guess that’s why I still enjoy having as many flowers as possible around me.

#mydonnawilson, Nicki aka @siglinchen

#mydonnawilson, Nicki aka @siglinchen

My most treasured object is…

My teak wooden desk in Berlin. I found it in a second-hand shop in Hudiksvall in the north of Sweden. It was in fantastic shape with no scratches at all and a really good price. I was so happy to have found such a bargain and I made the decision to buy it immediately. It had been snowing outside and the ground was icy. As my friend helped me carry the desk to my car, we slipped and the desk fell on the ground. The entire front of the desk is now covered in scratches, but nevertheless, it has become my absolute favourite piece of furniture in my home.

My interior style is…

It’s a mixture of playful colour on one hand and pure, minimal style on the other hand.

#mydonnawilson, Nicki aka @siglinchen

#mydonnawilson, Nicki aka @siglinchen

My top tips for vintage finds…

I have to admit that I don’t spend much time and money in hitting and buying interior design objects anymore. We bought most of the furniture for our house in Sweden (the String shelves, the Montana shelves, the HAY table, chairs and sofa) at Valamagasinet in Uppsala.

In Berlin, most of our furniture was found in second-hand shops or has been inherited. I have two favourite stores in Berlin, which I have to mention. One is called ‘La Lampisterie’. It’s located in Prenzlauer Berg. It’s run by a French guy who has a real passion for vintage lamps. He has a fantastic selection which he renovates by himself. We bought most of our lamps there, and I drop by from time to time to see if there is a new lamp waiting for me. The other shop, also in Prenzlauer Berg,  is called ‘Chairs’. You can find the best vintage chairs there – it’s where we bought all of our original Eames fibreglass chairs.

My biggest interior crush is…

Garlands! I love to decorate my home with them, and not only if there is a party or something to celebrate.

#mydonnawilson, Nicki aka @siglinchen

#mydonnawilson, Nicki aka @siglinchen

The item I covet the most is…

An Akari 10A floor lamp, designed by Isamu Noguchi.

At the top of my shopping list is…

More Eames chairs! We want to expand our little collection. Most of all we are looking for odd and rare colours. On a more practical note, we also need a few things like a bigger bed for our youngest daughter and a bunk bed for our middle child.

It’s what’s inside that counts…

It might sound corny, but from my point of view, it’s the people living in the house who make it feel like home.

#mydonnawilson, Nicki aka @siglinchen

#mydonnawilson, Nicki aka @siglinchen

Shop Nicki’s #mydonnawilson:

Fox Cushion – Yellow

Fee & Fish

Large Sweetie Cushion – Pink

Meg Cushion – Cream

Sausage Dog Bed Set – Cream

All photography by Nicki. You can see more of her beautiful homes on her Instagram account, @siglinchen.

From Glasgow Women’s Library – Votes for Women

1 March 2018
When the weather is cold, what could be better than cosying up indoors with a book – or a book-shaped ‘Votes for Women’ Cushion?!

Last year, Glasgow-based curators Panel (Catriona Duffy and Lucy McEachan) invited me to be a part of their project with the Glasgow Women’s Library. Launching this month to coincide with International Women’s Day, From Glasgow Women’s Library is a collection of six products exclusive to the Glasgow Women’s Library shop. Each one explores the history of women in Glasgow and Scotland through the huge range of material housed within the Glasgow Women’s Library archive.

My knitted ‘Votes for Women’ Cushion was inspired by the library’s many treasures that celebrate the lives and achievements of women. From their lending library of ‘hard to find’ books by, for and about women, to their collections of knitting patterns, recipe books, Suffragette memorabilia and Radical Feminist campaigning materials.

After visiting the library, I went away and sketched ideas for a number of outcomes – including bags, jewellery, and ceramics. I’d been working on a series of knitted cushions shaped like book covers for my AW18 collection and just before a meeting with Catriona and Lucy, the idea of a knitted book cushion designed especially for Library came to me. It was the perfect fit! The title of the book – ‘Votes for Women’ – and the design of a stylised woman wearing a sash are inspired by the women’s suffrage movement and its role in securing the Representation of the People Act (which enabled all men and some women over the age of 30 to vote for the first time), exactly 100 years ago.

Each ‘Votes for Women’ Cushion has been knitted in Scotland from 100% lambswool, before being hand-finished in my London studio-workshop. I hope that my cushion appeals to the visitors of the Glasgow Women’s Library as a symbol of what it represents, as well as being a comfy, practical product that would fit in anyone’s home. It craftily brings together the inextricably linked ‘personal’ and ‘political’ realms of women’s lives.

You can buy the ‘Votes for Women’ Cushion (a limited edition of 30) and the rest of the specially commissioned products – including a fabulous Feminist Charms Bracelet by Ruth Ewan – exclusively from the Glasgow Women’s Library website from 1st March.

#FromGWL

Panko or Votes for Women (The Great Card Game. Photo by Caro Weiss.

Inspiration from the Glasgow Women’s Library archive: Panko or Votes for Women (The Great Card Game Suffragists v. Anti-Suffragists) (2010.76). 48 playing cards, featuring cartoons by E.T. Reed of Punch magazine, c.1910. Photo by Caro Weiss.

Donna Wilson - 'Votes For Women' Cushion. Photo by Caro Weiss.

‘Votes for Women’ Cushion by Donna Wilson. Photo by Caro Weiss.

 

Donna Wilson - 'Votes For Women' Cushion. Photo by Caro Weiss.

‘Votes for Women’ Cushion by Donna Wilson. Photo by Caro Weiss.

Donna Wilson AW18 Womenswear at WOMAN Paris

28 February 2018

Come and say ‘bonjour’ to our new Autumn Winter 2018 Womenswear collection at WOMAN Paris AW18.

We’ll be showing our brand new collection of knitwear and accessories during Paris Fashion Week, from Friday 2nd to Sunday 4th of March.

WOMAN Paris
7 PLACE VENDÔME, PARIS 1

March 2nd /3rd – 10am to 7pm
March 4th – 10am to 6pm

If you’re a shop and are interested in stocking our knitwear collection, you can either pop along and say hello, or email jess@donnawilson.com to make an appointment, or to request more information.

Our AW18 Womenswear collection will be available online at www.donnawilson.com from September 2018 – sign up to our newsletter for updates.

Photography and styling: Amelia Pemberton
Model: Rosa Lily James

Spring Summer Launch Party

6 February 2018

Our new Spring / Summer collection is a playful celebration of pattern and colour, exploring new textures and techniques.

We toasted the launch of our new collection at our Pop-Up Shop (alas, no more!) in the company of press and stockists. A big thank you to fiddler Lewis Murray and his musicians who provided a soundtrack of Scottish folk music, to Pickled Plates for their Donna Wilson-inspired nibbles, and to Taran Wilkhu for capturing photos of the evening.

Here’s a quick tour of the collection…

Ceramic plates, jugs and mugs

Our familiar Dove, Tree and Acorn motifs have been added to bone china dinner plates, jugs and mugs to make beautiful tableware with which to dine with friends and family. And in a new direction for 2018, we’ve expanded our ceramics collection to include a series of handmade, shaped plates. Perfectly imperfect, each features a woodland design impressed into the clay, finished with a matte glaze for an earthy, organic touch.

Shop new ceramics.

Spring Summer 2018 Ceramics

Spring Summer 2018 Ceramics

Balloons and bonbons

Inspired by childhood nostalgia and children’s birthday parties, this season’s signature shaped cushions take the shape of colourful balloons and bright bonbons – the perfect pillows to give you the sweetest of dreams!

Shop balloons and bonbons.

Donna Wilson Spring Summer 2018 - Balloons

Donna Wilson Spring Summer 2018 - Bonbons

Silk scarves – coming soon!

New for 2018, these luxurious, 100% silk scarves complement our existing fashion collection with a pop of colour and pattern. Printed onto silk twill fabric, Donna’s bright and colourful motifs come in three designs, each one in two sizes, with two colourways to choose from.

Donna Wilson Spring Summer 2018 - Silk Scarves

Donna Wilson Spring Summer 2018 - Silk Scarves

Lionel and Richie

Not one but two lions join our ever-growing animal gang this season. Knitted from soft 100% lambswool yarn and crowned with felted manes, these friendly cats are fitting kings of the jungle.

Shop Lionel and Richie.

Donna Wilson Spring Summer 2018 - Lionel and Richie

Pickled Plates

MYO: Cherry Almond Alternative Christmas Cake

19 December 2017

MYO Volume 2 is now available and features more projects, interviews and recipes than ever before! Just in time for Christmas, here’s a little taster.

Amy Burnand’s Cherry Almond Christmas Cake is an easy alternative to a traditional fruit cake and much speedier to make – it takes less than two hours from make to bake to yummy in your tummy.

Let us know if you have a go – we’d love to see your makes! Share your bakes tagging @myocreate on Instagram and Twitter, post to our Facebook page, or email to info@myocreate.com.

For the cake

200g glacé cherries

200g self-raising flour

1tsp baking powder

150g unsalted butter – soft

150g golden caster sugar

100g marzipan (plus more for under icing)

2 large eggs

Finely grated zest of half an orange

1 tsp ground cinnamon

1/2 tsp grated nutmeg

50g ground almonds

For the icing

Ready-made fondant icing

Apricot jam

Marzipan

Method

Preheat oven 160c, fan 140c, gas 3

1/ Grease and line a 15cm cake tin.

2/ Roughly chop glacé cherries, leaving behind as much syrup as possible, and dust in a little flour.

3/ Cube marzipan into 1cm pieces. Add to cherries.

4/ Cream butter and sugar together until light and fluffy. Gradually add beaten eggs.

5/ Add orange zest. Fold in flour, baking powder and spices. Add ground almonds and the cherries and marzipan and combine well. Can add a drop of milk if too stiff.

6/ Spoon mixture into cake tin and level off.

7/ Bake for an hour until golden and risen.

8/ Leave in tin to cool.

9/ Allow to cool completely on wire rack before icing.

10/ On an icing sugar-dusted surface roll out marzipan and fondant icing to about 3-4 mm each (or to your liking). Use the cake tin as a template to cut both.

11/ If cake is very domed level it off by cutting across top with a bread knife, turning cake as you cut.

12/ Warm the apricot jam or glaze to thin it and make it easier to spread. Brush onto the cake and lay the marzipan on top. Brush the marzipan with more glaze and then lay on the fondant icing.

13/ Decorate.

Discover all the projects, recipes and interviews packed into the pages of the new volume of MYO here.


Order MYO Volume 2 here, or save money with a MYO subscription of 2 editions every year, delivered to your door.

Behind the scenes of our photoshoot: Meet Karen Nicol

6 December 2017

We photographed our AW17 sweater collection in the London home of textile artist Karen Nicol, which she shares with her husband, collage artist Peter Clark. I spoke to Karen to discover more about her beautiful house and her inspirational career.

Firstly, can tell us a little about your home?

We live just up the road from Hampton Court Palace in a place called East Molesey, thirty-five minutes from Waterloo but with meadows and rivers close by to walk the dog. The house is really beautiful, built in 1857 and spaced over four floors; we’ve lived here for twenty-two years.
My husband is a collage artist and now that the kids have left home we use two floors as studios, workshops and showrooms, and the other two floors for living – it’s bliss.

You use colour in a really interesting way in your own home – can you talk a little about this?

The house is all painted white but we really love colour so the refreshing slabs of colour here and there make differences in the character of each room, the light in the house is wonderful so it makes the colours sing.

You have lots of collections of objects – can you tell us a little more about these?

Pete and I are slightly obsessive in our love for car boots and flea markets, finding materials for our work and inspiration in a miscellany of vintage finds. I find materials that, chances are, no one else will be using, like old Belgian black, shiny straw milliner’s fabric or vintage matte white sequins in the shape of wings… I even have a collection of teeth that one day I want to use to replace pearls in a piece inspired by Russian Tsars. There is also the technical inspiration in beautiful traditional embroidery, everything from old fagoted collars to bits of old embroidered cushions. Then there is the pure visual inspiration of things that just look beautiful, like our matte white pots with their multitudes of simple smooth textures. Our house becomes a big white canvas to visually play with all these ‘found’ visual treats. I tend to build little scenarios in my studio – I spend so many hours in here it’s great to have a little grouping of things that make me smile.

How did your career in textiles begin?

My mother was an embroiderer, milliner, upholsterer, painter and dressmaker and flower arranger so I was around it all my childhood, she made my sister and me our own pattern blocks to make our own clothes when we were 13 and we made everything we wore, so it was probably pretty well set from there.
I went to Manchester Metropolitan University to do a BA and at first wanted to do something with a bit more street-cred than embroidery, like fine art, but in the end the diversity of textiles couldn’t be beaten so I did my BA in embroidery.

I then went to the Royal College of Art where, as there was no embroidery/mixed media course at that time, I did my MA in knit and embroidered on it, falling in love with embroidered fashion. Leaving the RCA, I put my work in a suitcase and went off to Paris (to impress a new boyfriend with my courage!) and managed to get some orders for my embroidered knitwear. I put my contact details in the labels and was subsequently approached by a German fashion designer who had bought a piece She flew over to London the next day and we worked together for the next ten years, giving me an amazing opportunity to learn the ropes.

Does your work have a signature style, and how would you describe this?

I’m not sure you can see your own signature style, but I suppose when you look over my fashion, interiors and gallery work you can see they have all the same hand. I hope mine has a light touch and a bit of irreverence.

What inspires you?

Everything! So much inspires me, changing all the time. I carry a notebook and camera everywhere and record anything that I like visually so my archives of images and inspiration are huge and can be anything – a plant, a bit of street style, a bit of wood and of course hundreds of artists.

As a textile artist, you’ve collaborated with so many prestigious brands and artists – do you have any particular favourites?

Collaborations are fantastic. You can be given amazingly comprehensive briefs, or something like ‘I want something funky in silver’, but they constantly push you out of your comfort zone, into the unknown.
These are my favourites:
– When non-embroiderers will unknowingly ask for things which can’t be achieved with normal embroidery techniques and suddenly you have to start being inventive to make it happen. Then you find ways of working you can develop for other jobs and so it goes on…
– Betty Jackson once showed me an image of water droplets running down a window pane, an effect she wanted on blouses… glass beads just didn’t do it so I ended up dripping resin on fabric…and then later I used this technique and trapped photos in the resin for a series of fish I did for a gallery show.
– Clements Ribeiro wanted Mexican-inspired beaded skirts for a ‘Frida Khalo meets Singapore whorehouse’ collection but I had to be able to bead the whole skirt in an hour! I found I could buy sequin film and cut my own sequins and machine them down. I later found I could develop this and shape the film with my iron and create large flowers and feathers for swans.

Shop our sweater collection here.
View the campaign lookbook here.

You can read an extended version of our interview with Karen in the new issue of MYO magazine, Volume 2, available to order now – or subscribe to MYO to have two issues a year delivered straight to your door.